Tuesday, November 10, 2009
King Tut Gets 5 Year Renovation Project in association with the Getty Museum Institute
A debate has swirled around a new show opening at the New Museum in NYC.
From the article, NY Times:
One day in the mid-1980s, Dakis Joannou, a Greek Cypriot industrialist, was exploring the art galleries of the East Village in Manhattan when he came upon a basketball suspended in a tank of liquid. Captivated, he invested $2,700 in “One Ball Total Equilibrium Tank” by a little-known artist named Jeff Koons. It was, he said, as if a whole new world had opened up to him.
My Opinion: It seems like no one in the contemporary art world trusts anyone's judgment. I will have to admit I am still quite naive to how this realm of the world functions. I am learning, but optimistic.
I for one, have followed Jeff Koons and his work. I love it, it is fresh and provocative. It is fun and joyful. I think it would be any public space's dream to be able to have the it be filled with his art and his perspective. I think the critiques are valid and needed, but the harshness and narrowness are unnecessary. The dissent seems more like jealousy than constructive criticism.
The majority of the world's art is owned by someone or institution other than a public gallery. It is ludicrous and harmful to our culture if we would limit such items from being shown. I think the real debate should lie in the corporatization of art. Maybe, Bank of America should not be allowed to curate its own shows for public spaces? It is a thin line the museums are walking, but I trust their judgment. The New museum doesn't seem like there are trying to hide anything from us and who wants a larger-than-life vibrant pink dog to be hid from the public:)
Monday, November 2, 2009
I was skeptical of Green Day's music and the ability of the story to be coherent. The starting chords were startling and loud with a screaming rendition of "American Idiot." The passionate lead desperately shouting, "I don't want to be an American idiot" reminds me of the opening desperation and angst-filled "Rent." But, the story and show hit close to my cultural experience in the United States. I think it was the first time I felt musical theater critique our media-obsessed culture. Yet, I have not found any solutions to all this negative commentary.
Lead by the director of Spring Awakening, Michael Mayer, this fresh rock musical might go as far as Broadway. I enjoyed the staging and choreography immensely. It was an awe-inspiring set with television sets and media pasted. It was larger than life, much like the media Green Day critiques.
Overall, I thought it was a great package with a few missing story threads. It reminded my friend of Julie Taymor's Across the Universe, visually and musically appealing, but a lacking story line. I think it will go through a couple refreshers before Broadway. The message isn't new, but I don't think we can hear this one enough.